CURATOR
ARTIST
analog film photo, installation, digital photo, collage, oil on canvas
installation - video+photo, plastic stairs, stones. Basel, Switzerland 2014
Abkhazia is an unrecognized small country. It is located on the Black Sea coast. In 1992-1993, after the collapse of the USSR, Abkhazia fought with Georgia for independence. 20 years after this war, this territory is still disputed. This country is not on the map, but in fact it exists. A symbol of lost time, a lost generation, a lost country - stairs or a staircase to nowhere. The staircase is what remains of the house after the destruction.
photo project, analog film photo, digital print, 100/100mm
Solaris is a reference to the ocean from Lem's book and Tarkovsky's film. Themes I have been exploring since 2009 are absence and timelessness. Speaking about the absence of times, I think about the Great Ocean, about the Forest, about Cities abandoned by people, about the Prehistoric Era and the after the Era of Humanity. Looking at these frames, we cannot always say exactly when they were taken - before people appeared on our planet or after their disappearance.
exhibition in a public space, action. Sukhum, Abkhasia, 2013
Exhibition in the theater courtyard. The main characters are builders who restored the Abkhaz drama theater. I worked with them as a stucco and painting restorer. My goal was to demonstrate manual labor in the era of digitalization. I decided to give portraits to builders. I came to the theater courtyard in the morning and hung photographs on the scaffolding. Men came to the workplace, saw the exhibition and became its spectators. During the day they took their portraits as souvenirs.
photo project,
Abkhasia, Djantukha
Abkhasia, Djantukha
Timelessness is a project about abandoned cities where people do not live. They're long gone, but they're still here. Here are their personal items, clothes, furniture, family photographs, books. 20 years after the people left, these things are still there. The windows are broken and through them you can see the new owners of these places. They have always been here. These are mountains.
oil on canvas, photo, collage, 100/100mm, Moscow, Red October, 2011
I Can Fly is a collage of painting and analogue photography. Flying people are parkour athletes. They jump from rooftops and fly for several seconds. If you catch the moment, it seems as if they are flying through the air, not falling down. It is a soul's dream to be able to fly.
It is necessary to choose a visual aid that is appropriate for the topic and audience.
Мультидисциплинарный художник, работает с фотографией, инсталляцией, живописью и мыслит категориями проектов и серий. Этот подход отсылает к студенческим годам в Sain Petersburg Academy of Art and Indastry, где многое в обучении было основано на обогащении визуального опыта через знакомство с работами студентов с других кафедр. Художник-проектировщик интерьеров по профессии Татьяна создает инсталляции, включающие в себя и пластические архитектурные элементы и трансляции фотографий, погружая зрителя в среду и состояние.
Темы пустоты, безвременья, утраты, отсутствия человека проходят вектором через длинный цикл работ автора. Со временем тема пустоты не перестает интересовать художника, но трансформируется в изучение потерянного во времени и пространстве человека. Татьяна близок междисплинарный опыт и изучение конкретного пространства в контексте нашего времени. По итогам таких исследований проектная практика осуществляется здесь и сейчас, с использованием локального места для презентации.
Темы пустоты, безвременья, утраты, отсутствия человека проходят вектором через длинный цикл работ автора. Со временем тема пустоты не перестает интересовать художника, но трансформируется в изучение потерянного во времени и пространстве человека. Татьяна близок междисплинарный опыт и изучение конкретного пространства в контексте нашего времени. По итогам таких исследований проектная практика осуществляется здесь и сейчас, с использованием локального места для презентации.
CURATOR
for exhibitions, art menedgament and co-founder cultural center SKLAD
Сo-founder cultural center SKLAD
Curator Invitativ in Switzerland
Cultural perspective involves identity of symbols. The uses of words that are related with the image, the use of heroes in the image, etc.
Arckhitectural workshop RAUMLABOR Berlin and SKLAD
The view of images in the critical perspective is when the viewers criticize the images, and the critiques have been made in the interest of the society.
Urban Forum "Sreda Obitaniya"
Contact me:
E-mail: ergunovatanya@gmail.com
Phone: +79890822953
E-mail: ergunovatanya@gmail.com
Phone: +79890822953
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